Movo VSM-7 | Laptop Mag
Our Verdict
The Movo VSM-7 is a solid studio quality, entry-level condenser mic with three polar patterns merely sadly misses the mark its competitors accept mastered
For
- Excellent audio reproduction
- Solid all-metal mic build
- Pop filter
Against
- Doesn't come up with a stand
- Could use a USB input
- Shock mount quality issues
Laptop Mag Verdict
The Movo VSM-7 is a solid studio quality, entry-level condenser mic with three polar patterns but sadly misses the mark its competitors have mastered
Pros
- +
Fantabulous audio reproduction
- +
Solid all-metallic mic build
- +
Popular filter
Cons
- -
Doesn't come with a stand
- -
Could employ a USB input
- -
Shock mount quality issues
When you pull the Movo VSM-7 XLR mic from its box to feel its all-metallic structure and hefty weight, the potential of the mic is palpable. Withal, equally I discovered, cracking potential and even solid functioning tin can sometimes be a swing and miss. While the mic has splendid audio reproduction, I did discover some small-scale build issues. The shock mounts aligning knobs could use some washers and the pop filter is a little brittle, and cracked when I adjusted it. Those two issues bated, the actual mic performance is studio quality, although those issues do bear on the Movo VSM-7 overall scores.
Movo VSM-7 pricing and configurations
The Movo VSM-7 XLR microphone costs $124.95 and comes with a ten-pes XLR cable, a shock mount, and a pop filter to prevent plosives.
Movo VSM-7 pattern
The all-black metallic design of Movo VSM-7 feels very solid in the mitt. It comes cradled in its blackness metal daze mount with a plosives filter connected to it; it all feels very sturdy. Merely beneath the grill, you lot take iii sets of switches located around the circumference of the microphone. One is a low pass filter switch, the other is for selecting the polar design, and the third switch is a 0dB to 10dB Pad (attenuator) that allows you to chop-chop lower the output for louder talkers or singers. On the side of each switch are white colored indication symbols for your adjustments, and an all-white Movo VSM-vii logo below the switches which you lot barely notice because the stupor mount is in the fashion.
The Movo VSM-vii looks and feels like a professional studio microphone and measures 9.69 x 8.15 x six.14 inches and weighs ane.viii pounds. It does not come up with a stand of any kind merely does come with a shock mount with an adaptable popular filter mounted to the shock mount.
The VSM-vii is a little heavier than most USB mics and requires more time and effort to prepare upwardly and then it'due south not one I suggest taking with you for on the go interviews unless you have a super portable setup like the Roland Become: LiveCast, which can also supply the needed power (24v or 48v Phantom) to the Movo VSM-vii.
Unlike USB mics like the Hyper X Quadcast or the Bluish Yeti Nano, the Movo requires an outside power source provided by a pre-amp or mixer to piece of work. Although the Roland Go: LiveCast is an amazing lightweight device, it requires a power source so that it tin power XLR mics such as the Movo VSM-7. So earlier purchasing an XLR microphone, understand that there will exist other elements you volition accept to purchase to go the most out of information technology or to use it at all.
In the case of the Movo VSM-7, y'all will need to invest in a stand or boom arm, a mixer or preamp for powering and connecting to a recording device or figurer so yous can tape or live stream. The sound quality of XLR mics is undeniable, however, it tends to exist a larger financial investment and, with about of today'southward USB mics offering equal recording quality, it may be more than budget-friendly to avoid an XLR microphone entirely. It truly depends on your requirements and needs.
Movo VSM-7 microphone quality
The Movo VSM-vii is an XLR cardioid condenser microphone with three polar patterns that are selectable via the switch near the center of the unit. You tin cull from a cardioid, which is best for a single user, bi-directional worked excellently while I was recording myself and my girlfriend in a test podcast, and the omnidirectional microphone polar pattern worked well while recording myself, my girlfriend, and background sound, simulating a third person.
While recording, we tested the depression-pass filter and the pad switch both of which functioned excellently, shaping the audio by increasing or lowering frequency sensitivity and response to ensure there was no distortion. The low-laissez passer filter focused on our voices while keeping background noise to a minimum and, in combination with the 0dB pad switch 0dB and 10dB pad switch, helped to shape the sound to our liking and needs.
Overall, regardless of what pattern I used or which filter was chosen, the Movo VSM-7 captured the timbre in my voice wonderfully with rich reproduction of the natural bass in my voice or the terrible highs I produced while trying to pull off my Phillip Bailey falsetto impression while singing Earth, Current of air & Fire'south "Reasons."
While recording our podcast, the large 34mm Gold-Sputtered Diaphragm captured every minute change in my voice with tremendous accuracy; the warmer tones were chesty and clear every bit I dropped an octave to try my manus at a Barry White impression. In the terminate, my girlfriend wishes I never sang "I'm Never Gonna Give Y'all Up." The audio recorded was colored and excellent, my impression was beyond awful but the Movo VSM-7 did all it could to make it audio its best.
Software
Existence that the Movo VSM-vii is non a USB microphone, it doesn't come with or require software. However, whichever digital mixer or preamp you use volition come with a software suite to tape, edit and manipulate your audio. I used a Roland Get: LIVECAST to act as a mixer, preamp, and supply power to the Movo. The Get: LIVECAST has an XLR connexion and the ability to provide the 48v of Phantom ability I needed to burn information technology upwardly.
Once connected to the LiveCast's XLR port, I downloaded the Roland GO: LIVECAST software onto my iPhone xi, then connected my phone to the Roland via the supplied Lightning to USB Micro-B type cable and I was off to the races, recording not simply audio but video via my iPhone's camera. I will cover the whole set up up and software in my upcoming review of the Roland Go: LIVECAST.
Bottom Line
The Movo VSM-7 is an excellent XLR Condenser microphone that volition level up the quality of your podcast, streaming, or music recording. It's relatively affordable, at just $124.95, simply the setup becomes expensive when you consider you demand other equipment to use information technology. If yous buy the Movo VSM-7, you have to be prepared to spend coin on a stand and a mixer or other device, such as a preamp. Amazon offers a packaged deal that includes the Movo VSM-seven, a microphone arm stand, and the Focusrite Scarlett Solo (3rd Gen) USB Audio Interface preamp that as well comes with Pro Tools audio editing software for $269.93.
If your podcast is growing, or if your streaming fanbase is growing, you may want to have a await at such a setup. But if yous're simply starting, I highly recommend getting a USB mic similar a Blueish Yeti Nano, which offers like recording quality at a lower cost and is plug-and-play ready. If you're a more than experienced podcaster, musician, or streamer and you desire the pick of both an XLR connection and USB, I recommend the Shure MV7, which has both connections, reproduces rich, articulate audio while recording, and comes with very user-friendly software.
The Movo VSM-7 is an excellent XLR condenser mic but it's non for everyone and requires actress gear. I would like to see Movo incorporate a USB port and 3.5 mm sound jack for monitoring from the unit itself.
Source: https://www.laptopmag.com/reviews/movo-vsm-7-microphone-review
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